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For 2 reasons: 1) I've been preoccupied editing our June Holiday videos and; 2) I totally forgot about the website. Apologies. Okay so let's start with the artwork then; which requires us going back to May:  St Pope Paul VI.
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Back in December 2020 Pope Francis proclaimed a Year of St Joseph (8 Dec 2020 – 8 Dec 2021) for the whole Catholic Church. More information about it can be found here, and about prayer to St Joseph here. Below are the first 3 images of St Joseph that I painted in the Year of St Joseph proper:  "St Joseph and the infant Jesus." The starting point for this image was the Gospel of Matthew, Chapter 1, Verse 20; which was one of the prompts from the #Adventus202One art challenge during Advent 2020. This image in not exactly of the moment described in Matthew's Gospel, but rather of a moment after Jesus' birth when St Joseph fell in love/accepted Jesus as his son for the 2nd or 3rd time. Also the main inspiration for this image was the idea: if St Joseph had a beard before Jesus was born, how much of it would have been left after Jesus' toddler year (ie. pulling part of Joseph's beard out)?  "The Holy Innocents/The Flight into Egypt." This image was also another inspiration from #Adventus202One, this time being close to the scripture reference: Matthew, Chapter 2, Verse 13–15. The inspiration for this was thinking about how the recently departed Holy Innocents may have processed with the Holy Family in their flight into Egypt from Herod's persecution, all under the protection St Michael the Archangel. I just sketched this one rather quickly on some coloured paper and inked it with a calligraphy marker and text highlighters, because I just wanted to get it done and I didn't care how I got it done. I'd been getting sick of doing so many watercolour pictures in a row and I wanted a break from that medium.  "St Joseph, Protector of the Holy Family." The title for this one basically explains all there is to this picture. Showing St Joseph as the Protector and Shield surround the Jesus and Mary.
Although I must not forget to acknowledge and appreciate @awememento's influence upon this particular painting of St Joseph and the Holy Family. And her Etsy page can be found here. Until next time, Happy Easter! First off I must warn you that this is hardly going to be either a concise or chronologically correct catch-up of all my artwork from the end of October, 2020. Well, with that brief explainer out of the way here is (below) the final painting from my #CATHOLinktober (2020).  "Title of the Blessed Virgin Mary" was the 31st and last prompt of the CATHOLinktober challenge. As it turned out I wasn't the only artist participating who chose to paint "Our Lady, Star of the Sea". Before asking God's intercession and throwing a Miraculous Medal, I had no idea which Title of the Blessed Virgin to paint. As such was rather stressed out trying to figure out what the final picture was going to be, but God did proved us an answer. After I had finished CATHOLinktober, I was commissioned to do a painting of "Our Lady of Guadalupe" for the iWitness 2020 Conference,, in a style similar to what I done previously with "Our Lady, Star of the Sea".  "Our Lady of Guadalupe" is the patron for the iWitness Conference which happens starts on the Thursday before the Third Sunday of Advent, and finishes on that same sunday. I had attended previously attended the 2019 Conference, which had been my first iWitness. During the whole of 2020, the thought of meeting up with previous friends and known face at iWitness had been one of the few lights of hope during the year, and I along with everyone who went to iWitness, as well as the organising team were relieved when it was able to happen under NSW restrictions. Thank you God! In the above gallery are my photos of the 2020 iWitness Booklet I took when I got home on Guadete (Rose Candle) Sunday. The iWitness Conference began as a grass-roots way for Catholic youth of Sydney and beyond to keep alive and renew their faith in God and grow deeper in the traditions of the Catholic Church in the afterglow of World Youth Day 2008, Sydney, Australia. It is run by an amazing team of dedicated Catholic youth for the youth, it has been held (as far as I am aware) every year since 2008, and have staked out the 4 days before and including the 3rd Sunday of Advent as their usual set dates. Together they bring in a variety of Catholic speakers to talk on a variety of themes centered around the main theme of that particular year. Such notable speakers have included: Archbishop of Hobart, Julien Porteous; Auxiliary Bishop of Sydney, Richard Umbers; Robert Haddad; Monica Doumit; and many other known and lesser known speakers, priests, missionaries, religious orders and many more.
To God be all the glory! But before that, a bit of an update. The 2021 Calendar was published in mid-December 2020, however it took a lot of work to get there. Quite a lot of the Inktober material was used, but there were something like an extra 10 images needed since the Inktober drawings were smaller, and it took two of them to fill a Calendar page. Then in very late November and early December I began making some of those images into prayer cards with a holy image on the front and a prayer on the back. When 2021 began there was a bit of brainstorming done about 'What's next?'. Investigating the possibilities of selling printable downloads of prayer cards via Etsy seemed like a good idea. So after a few days' research and planning that's what happened. CavanaghArt wasn't available, that's why it had to be called CavanaghArtByVincent instead: www.etsy.com/au/shop/CavanaghArtByVincent The starting point was a prayer card suitable for obtaining the indulgence during the Year of St Joseph (8 Dec 2020 - 8 Dec 2021) for praying for the unemployed.  And the next one, with a prayer to St Joseph similar to the Hail Mary, began a week later.  It started out with a lot of hope and expectation, yet it has still to make an impact.
What else is there under the 'What next?' options? I don't currently know. However due to the increased censorship on social media, I will be from now on giving primacy to the blog, and there's a back-log, (or should that be a blog-log?), of material to work with. I thought I told myself that I wasn't going to do Inktober this year. But then a Catholic theme list came up (#Catholinktober), and I caved in. It is the reason why you haven't seen much artwork posted here. There is plenty to share, it is just waiting for some free time to put it on this blog. Instagram, Twitter and Facebook have had daily postings during October. So here is a brief selection from the last 30 days:  The Chaste Heart of St Joseph inspires love and trust in everyone.  A version of the icon of the Mother of God of Tenderness.  New Testament Character: Ananias getting the message from God that he is to go and visit Saul, the persecutor of the Christians.  For the feast day of Our Lady of the Rosary, a decade of the rosary depicted with a big red rose for the Our Father, ten blue-white roses for the Hail Marys, and a triple golden ball for the Glory Be to honour the Most Holy Trinity. The hands are offering it as prayer, and the twelve stars are there to remind us of the crown of Mary, and her receiving the bouquet.  Charity in action.
Only one more to go, and the theme for that one is a title of the Virgin Mary. Whatever passes for normal might return soon. :) The first assignment for my 3 month mentorship under Giuseppe Castellano was to research the illustrator Jean-Jacques Sempé. He is still alive, and known for loose ink work, real life settings, minimal colour, recognizable but not perfect depictions of people (for example children have light bulb shaped heads and adults have big noses). Then I needed to reference his style in a mock up of a cover for the New Yorker magazine, including the interaction of two characters and a background. This is one of my pages of practice sketches.  The next thing was to research covers for the New Yorker magazine. Most of them contained scenes from New York life, or what would be recognized as New York life, or else they were political. At times the spine and mast-head were colours other than black. So I researched New York, things like 20 things only New Yorkers would appreciate, or 10 jokes only New Yorkers will get. I needed to find either a humorous angle or something I am interested in. The stories of YouTube sensations Pizza Rat and Milkshake Squirrel were intriguing. I put together some thumb nail sketches:  1. Pizza – Rat: Going to the Cinema with Dad. 2. Abbot and Costello on TV with child watching. 3. Father and child on a Ferris Wheel at an amusement park. 4. Child peering over subway platform to see train. 5. Child chasing after parent in front of giant destination board. Of these thumb nails, Pizza – Rat won. This is a scan of the ink work, below.  The next step was to get an idea of colour values digitally before putting any watercolour on.  Then came watercolour. This is the raw image below:  I then had to clean up the art work and remove/fix mistakes from inking, in Photoshop. And then add the copied masthead from a previous New Yorker cover, via Google and Photoshop again.  This final art is shown at a smaller size than actual size.
It had been quite a while since I used non-digital media, I had forgotten how nerve wracking it is when there is no room for mistakes. #IllusDept #mentorship #Sempé Continuing with the weekly challenges, without the moral support of others doing the same, has been hard work, especially during these early stages of grief. But onwards I plod. The theme for Week 26 was Homeland. For this I decided to do an ink-scape cross-section of the elements that make up home turf for me.  Week 27's theme was Puzzle. In this one someone is lost in a hedge maze, and is trying to use the 'Marco Polo' game to attract someone to help navigate to the exit by sound.  With Week 28 came the troubled theme of Climate Change, where so much confusion reigns, and yet the conclusions remain the same.  Normally with a theme of Meadow for Week 29 sweetness and light would be the order of the day, but what looks so nice from the viewfinder can be a whole different story at ground level.  The theme for Week 30 was Futuristic, so instead of doing something Jetsons-like or Star Trek-like, I went for something that has been promised to happen in the future Phil 2:10-11 where every knee shall bow and every tongue confess. Each kneeling person embodies the colours of their national flag.  More weekly themes await their turn...so onwards I continue to plod.
The month of June 2018 was a tough one because it contained the last three weeks of life of my paternal grandmother, and her funeral. During that month, life was anything but normal. You can read about her life here, which contains footage from an interview I did with her a few weeks before her health really declined, which I edited later.  Things went very quiet on the creative front, but I was able to catch up to the 52 weekly illustration timetable earlier this week. The theme for Week 21 was Haunted House, for which I deliberately wanted a limited colour palette. Yes, it does have a bit of an 'Adams Family' vibe.  For Week 22 the theme was Spectacles, which this teddy bear is wearing in a haphazard way.  Cottage was the theme for Week 23, and if you look carefully you will find that a small creature has made a cottage-home on top of the much larger swamp creature.  With the Week 24 theme of Anatomy I decided to have some fun. This well dressed frog was off to a very exclusive soiree when his plans were interrupted by some students of animal anatomy, and he very much wants them to get it over with so that he can resume his evening plans.  Because Week 25's theme was Nursery Rhyme, trying to choose one out of the many was proving to be difficult, so I combined three of them. Thus we have the mouse up the clock from Hickory Dickory Dock: Little Bo Peep with some of her sheep stopping to have a look at this sight; and Humpty Dumpty also surprised by this unusual view.  If you don't want to wait for the next blog-post to see Weeks 26 and 27, Facebook and Twitter are where you should look.
Before the month of May ends I should share with you what happened in Weeks 16 to 20 of the 52 Week Illustration Challenge for 2018. The theme for Week 16 was Splash. For this one we have a bird bath with one bird a splishing and a splashing all over the place, and another bird trying to join in the watery party.  Origami was the theme for Week 16, the Japanese art of paper-folding. Some people find it easy and therapeutic, others not so much!  Week 18's theme turned homeward bound with 'Blanket', reflecting on all the love that goes to make up a hand-sewn patchwork blanket.  Week 19's theme was 'Creek', and for this one I borrowed an idea from our friends from the Hundred Acre Wood and their game of pooh-sticks. In this one our little bear is looking for a friend to play the game with.  Would you believe that the theme for week 20 was 'Up Side Down'? When things are up-side-down rather than the right-way-up, confusion can be expected.  Just in case you are another creative waiting for the appointed moment when everything will have been worthwhile, you might find what Alex Mathers from the Red Lemon Club wrote a source of encouragement:
www.redlemonclub.com/300rule/ This continues to be a lonely road, but each step is hopefully getting me closer to something worthwhile. If others are doing the 2018 weekly challenges, they don't appear to be using the #52WIC hashtag. The theme for Week 11 was Stamp, so I included both the stamps you put on envelopes and the a stamp that requires ink.  For Week 12 the theme was Zoom. Sometimes when you zoom, everything goes right. Other times when you go zoom, you end up like this:  Do you remember Igerrom? Well, when he heard that the theme for Week 12 was Tea Party, he just had to invite himself. He's always trying to start a tea party and get people interested in his favourite beverage.  Week 14's theme was Geometric. So let's make some lovely circular arcs together with this waltzing compass.  Letterboxes was the theme for Week 15. With this one I went digital and enlisted the help of a robo-postman - who seems to be in a hurry.  My family are all engineers, computer geeks, teachers, number crunchers or fascinated by personal medical histories, (there is an aunt with a creative gene but her work is offline and hand-crafted - pottery, folk-art, dolls and teddy-bears).
This means I have none of the regular pathways to connections with art directors and creative studios. So if you know of anyone like that seeking the work of someone like me, please invite them to contact me. |
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