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For 2 reasons: 1) I've been preoccupied editing our June Holiday videos and; 2) I totally forgot about the website. Apologies. Okay so let's start with the artwork then; which requires us going back to May:  St Pope Paul VI.
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 Year of St Joseph: Birth of Jesus. Looking back on this picture as I'm trying to write a blog post for it, I'm stuck by how (without any forethought or planning) Joseph and Mary look very, very alike to a recently married couple I know. Funny how the subconscious works, eh?
Anyhow, the 1st of May is dedicated to St Joseph the Worker, so how do I commemorate this fact? I paint the Birth of Jesus in the cave/stable. Specifically I had in my mind how Joseph must have been after the birth: dazed and confused, in a sea of emotions. "Alright God, now what am I supposed to do?" And there before him is Mary, totally ensconced in the new life sitting in her arms. She is a total rock of calm amongst the swimming tide of emotions overtaking Joseph as he tries unconsciously to sit down somewhere amongst the animals, inside that cave, on that awesome, and holy, night. A happy month and feast of St Joseph to you all. Even if it's via Nazareth. — — — — — Digital painting, based on a rough pen sketch. Lately I've been participating in an online tuition course for Blender 3D, which has been a good if somewhat challenging experience. The challenging part being trying to work in a group with many other students in multiple different time zones (and the associated late nights that come with it), but I'll talk about that more in a later post. Sometime in May. Hopefully. Below is the sketch that I made last night to release some of my creative frustrations:  Christ Pantocrator (2021). I just needed to do something religious to make up for my recent lack of any such artworks. The original Christ Pantocrator (roughly translated as "All-Mighty" in Greek), that is the inspiration of this image, is one of the first icons depicting Jesus in early history of the Church, and remains to this day a very important image in the Eastern Orthodox Church. It depicts the two natures of Christ, being both fully God and fully human, through the different sides of His face. Below are the mirrored composites of the left and right sides of my rough sketch:  Pantocrator Blessing, Mirrored.  Pantocrator Gospels, Mirrored. Honestly, I had no real plan about how to mirror this image, I just had the vaguest of recollections of what a Pantocrator Icon should look like and I went from there. So I sketched in out with blue ballpoint pen and went over it with a water-based black marker, and added colour with text highlighters. In hindsight I really should've either scanned or at least taken a photo of the under drawing, but I decide to let it go and just keep on drawing with the black marker.
The one real difference between this sketch and the Icon it's based on, is that the real Pantocrator doesn't have the wounds of Christ in it, as far as I know. So, until the muse next takes me or I need another outlet to create, God bless and stay safe. The end is in sight. This is the sixth and final set of artworks for assessment to the London Art College's correspondence course D6 Illustrating Children's Books. Of the set, the first part is a smaller project, which was an exercise in faces and shapes. The brief went something like this: Draw a series of rough geometic shapes: a circle, an oval, an up pointing triangle, a down pointing triangle, a square, a rectangle and a long U shape. Create faces from these shapes. Use exaggerated expressions. Experiment with colour, materials and types of line. To get the experimentation right, I wrote out a list of methods. Nib ink with minimum detail Pen ink with more detail Nib ink with watercolour Pen ink with watercolour Ink with coloured pencil Watercolour first, ink last Watercolour and pencil, with no ink Then the fun started pairing up shape with method. Here's the first page  And the second page  Yes, this exercise was fun indeed. One more exercise to go....
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