Category: Mixing It Up - Cavanagh Art

2023 Calendars! Now Available

9/11/2022

Yippee! It's done.

©VincentCavanagh 2022

That's right folks! After a month's worth of inking and going cross-eyed at various reference photographs, my 2023 Calendar: WYD Lisbon Fundraising edition is now available to buy. Contact can be made via Email or Facebook Messenger.

Pricings for the calendar are as follows:

Please be aware that the above prices are only for postage within Australia.

If there is any international interest, we will arrange Air Mail costs appropriately.

Phoenix 548 at Royal National Park ©VincentCavanagh 2022

R1 2001 opposite Railway Square Waiting Shed ©VincentCavanagh 2022

And in other news, my father and I spent an enjoyable day out today at the Sydney Tramway Museum in Loftus.

We rode on an Ex-Brisbane Tramway's Four Motor Phoenix tram 548 along with a contingent of retirees also on a day out. Sydney Tramway R1 2001 was otherwise engaged ferrying two contingents of local school children up and down the line.

So, until further news, toodle–oo!

~ Vincent Cavanagh, 9 November 2022.

And With Your Spirit

18/5/2022

So last fortnight I did something for the first time that I thought I would never do: I made a #MayThe4th cartoon, featuring Bishop Stumbers.

'Bishop Stumbers, May The 4th' Vincent Cavanagh © 2022

Yeah, I don’t think there are that many Vulcans in Star Wars somehow. (Wry smile.)

It’s been a long time since I’d last put a physical pen to paper. It was also nice that it was a fairly simply concept to draw.
For the red accent I used a Copic marker, and I think it helped to tie the whole picture together. I also adjusted the contrast of the image on my computer before it was read to share.

Yesterday (17 May 2022) I finally got around to editing and uploading to my YouTube Channel the videos I took of the ride on the Puffing Billy Railway that my father and I took on our family holiday back in March 2019. It’s of the return journey from Gembrook to Belgrave in the Dandenong Ranges, east of Melbourne. Enjoy.

So, until next time, stay safe and God Bless.

~ Vincent Cavanagh, 18 May 2022.

All Quiet on the Great Western Front

20/4/2022

'Pannier Tank and Diesel Shunter' Vincent Cavanagh © 2022

I have painted in a while, but I did thankfully do a small "just for fun" painting on Good Friday (15 April 2022).
It's little scene, set in either the early hours of the morning or before dusk, containing a generic-looking Great Western Railway Pannier Tank engine opposite a British Railways Class 08 Diesel shunter that appears to be having bit of trouble starting up. Note the fireworks coming out the top of it.

The basis for this picture was not Thomas the Tank Engine; rather it was because of two OO gauge locomotives that we own: a GWR Pannier and a BR Green 08.

For something different I used a "earth tone" palette of colours consisting mostly of Yellow Ochre, English Red and Sepia, with a bit of Ivory Black added here and there.

God bless to you all and Happy Easter.
He is Risen! Alleluia!

~ Vincent Cavanagh, 20 April 2022.

Okay, so I totally missed July

12/8/2021

For 2 reasons: 1) I've been preoccupied editing our June Holiday videos and; 2) I totally forgot about the website. Apologies.

Okay so let's start with the artwork then; which requires us going back to May:

St Pope Paul VI.

First off is this watercolour of Saint Pope Paul the Sixth that I did as a Memorial Card for a friend's Priestly Ordination at the end of May this year (2021).

Pentecost 2021.

Then we skip back a week, or so, to Pentecost 2021 for this quick, unplanned sketchbook drawing. I'd been pulling my hair out earlier struggling to do something for Pentecost digitally and it wasn't working out, and then just before, say, 10 or 11 o'clock that night I made this with a black, blue and red ballpoint pens with text highlighters as well. You don't always need fancy stuff to make art.

St Charbel Makhlouf.

And now come to the missing blog month of July with this watercolour of St Charbel Makhlouf, Maronite monk and priest, and a patron of Lebanon.

At the moment I don't know if, or how long, this "pure watercolour" (ie, no ink outlines or such) style is going to stay. I think, on reflection, that it came about for 2 reasons: 1) during a conversation with a family friend whose eyesight is not what it once was, I realised that some of my more ink-heavy pictures (such as St Joseph and the infant Jesus) had no real clarity.

St Joseph and the infant Jesus (2020).

I knew what I was looking at, but someone with bad eyesight couldn't untangle the mess of black ink from the sometimes equally dark watercolours; and 2) I'd been watching some watercolour demonstrations on Youtube (link here) and there was one where the instructor painted an picture of Santa Claus, for a Christmas Card, in with just Red, Yellow Ochre and, I think, Payne's Grey or Black. So that was an added impetus to change my style: I wanted to also try painting a face with just watercolour. And that is the condensed set of reasons why I painted Paul VI in watercolour (see above).

Now as I mentioned earlier in this post, I've been, and I am still working, on editing and uploading our June Holiday to South Australia videos to Youtube. If you want to see where we went, I've put the first (in no way chronological) video at the bottom of this blog post. As of 12 July 2021, 12:49pm, there are 3 South Australia videos up on my Youtube channel (link here), with much more to come.

So until next time (barring me forgetting again!) God bless and stay safe.

A Quick Digital Picture

4/5/2021

Blossom – Tram Scene

Just something I put together tonight. It took me about an hour, an hour-and-a-half, maybe? I didn't really bother to time how long I spent on it.

Recently I had a chance to ride on the Sydney Light Rail network to Randwick for the funeral of a family friend, so perhaps that is what inspired this picture. The telephone box is based on a preserved example at the Sydney Tramway Museum at Loftus. Other than those two things I've also had a few stray thoughts about Japanese paintings rattling around in my head. That about it really.

I have ideas of maybe making this into a 3D animation, but I don't know if it isn't anything more than just a pipedream at the moment.

Stay safe and God bless.

— — — — —
Digital Painting in a limited palette.

Late Night Sketching

20/4/2021

Lately I've been participating in an online tuition course for Blender 3D, which has been a good if somewhat challenging experience. The challenging part being trying to work in a group with many other students in multiple different time zones (and the associated late nights that come with it), but I'll talk about that more in a later post. Sometime in May. Hopefully.

Below is the sketch that I made last night to release some of my creative frustrations:

Christ Pantocrator (2021).

I just needed to do something religious to make up for my recent lack of any such artworks.
The original Christ Pantocrator (roughly translated as "All-Mighty" in Greek), that is the inspiration of this image, is one of the first icons depicting Jesus in early history of the Church, and remains to this day a very important image in the Eastern Orthodox Church.
It depicts the two natures of Christ, being both fully God and fully human, through the different sides of His face.

Below are the mirrored composites of the left and right sides of my rough sketch:

Pantocrator Blessing, Mirrored.

Pantocrator Gospels, Mirrored.

Honestly, I had no real plan about how to mirror this image, I just had the vaguest of recollections of what a Pantocrator Icon should look like and I went from there. So I sketched in out with blue ballpoint pen and went over it with a water-based black marker, and added colour with text highlighters. In hindsight I really should've either scanned or at least taken a photo of the under drawing, but I decide to let it go and just keep on drawing with the black marker.

The one real difference between this sketch and the Icon it's based on, is that the real Pantocrator doesn't have the wounds of Christ in it, as far as I know.

So, until the muse next takes me or I need another outlet to create, God bless and stay safe.

Year of St Joseph - Part 2

19/4/2021

Continuing with St Joseph, here are the 2 most recent images that I have done. Both of them where created with Copic alcohol-markers and water-based pens, with pencil under drawings.

"Most Chaste Heart of St Joseph." This one was made on the first Wednesday of March (2021), because every first Wednesday of the month is dedicated to St Joseph. This was an opportunity for me to do the Chaste Heart of St Joseph justice as I'd only previously done a very small version for CATHOLinktober, Day 19, "Chaste Heart of St Joseph". It was also a chance to try out some Bristol Pad paper that I'd bought earlier.

"Reunion." Showing the reunion of St Joseph with Jesus after the crucifixion and before the resurrection. This was painted in honour of the feast day of St Joseph, Spouse of the Blessed Virgin (March 19), after having the haunting last few words from the poem Limbo by Sister Mary Ada running through my head that day.

Here are the last 2 stanzas from that poem:

And there He was
Splendid as the morning sun and fair
As only God is fair.
And they, confused with joy,
Knelt to adore
Seeing that he wore
Five crimson stars
He never had before.

No canticle at all was sung.
None toned a psalm, or raised a greeting song.
A silent man alone
Of all that throng
Found tongue --
Not any other.
Close to His heart
When the embrace was done,
Old Jospeh said,
"How is Your Mother,
How is Your Mother, Son?"

Until next time, God bless.

Year of St Joseph – Part 1

8/4/2021

Back in December 2020 Pope Francis proclaimed a Year of St Joseph (8 Dec 2020 – 8 Dec 2021) for the whole Catholic Church.
More information about it can be found here, and about prayer to St Joseph here.

Below are the first 3 images of St Joseph that I painted in the Year of St Joseph proper:

"St Joseph and the infant Jesus." The starting point for this image was the Gospel of Matthew, Chapter 1, Verse 20; which was one of the prompts from the #Adventus202One art challenge during Advent 2020.
This image in not exactly of the moment described in Matthew's Gospel, but rather of a moment after Jesus' birth when St Joseph fell in love/accepted Jesus as his son for the 2nd or 3rd time.
Also the main inspiration for this image was the idea: if St Joseph had a beard before Jesus was born, how much of it would have been left after Jesus' toddler year (ie. pulling part of Joseph's beard out)?

"The Holy Innocents/The Flight into Egypt." This image was also another inspiration from #Adventus202One, this time being close to the scripture reference: Matthew, Chapter 2, Verse 13–15.
The inspiration for this was thinking about how the recently departed Holy Innocents may have processed with the Holy Family in their flight into Egypt from Herod's persecution, all under the protection St Michael the Archangel.

I just sketched this one rather quickly on some coloured paper and inked it with a calligraphy marker and text highlighters, because I just wanted to get it done and I didn't care how I got it done.
I'd been getting sick of doing so many watercolour pictures in a row and I wanted a break from that medium.

"St Joseph, Protector of the Holy Family." The title for this one basically explains all there is to this picture. Showing St Joseph as the Protector and Shield surround the Jesus and Mary.
Although I must not forget to acknowledge and appreciate @awememento's influence upon this particular painting of St Joseph and the Holy Family.
And her Etsy page can be found here.

Until next time, Happy Easter!

stumbers: Ash Wednesday, covid-style

17/2/2021

Above is my most recent Bishop Stumbers cartoon, which I finished and posted yesterday (Feb 16).

The idea for this picture began to come together in the previous fortnight over conversations about the new guidelines from the Vatican on how to distribute the ashes for Ash Wednesday during a pandemic (ie. sprinkling the ash on top of peoples' head rather than making a sign of the cross on peoples' foreheads) in a note published on January the 12th (link here).

Among the ideas discussed in those conversations was the fact that some of the more widely recycled memes about Ash Wednesday and the wide variety of cross placed upon the heads of Catholics would be no long applicable under the new guidelines, if anyone thought to think of it that way of course.
And so was born Stumbers' ponderance upon the collect of memes now made irrelevant, and somewhat historical, by the Vatican's new guidelines.

Hopefully next time I can get back to clearing the backlog of blog posts.
Until then, God Bless.

ending the year

31/12/2019

2019 is about to end. 2020 is about to begin. Hopefully by the end of January the building project to transform a verandah into a studio, and the spending project to get sufficient computer grunt to make it function, will be complete.

The 2020 Calendar featuring Socket Head came up well.
This is the image for December that seemed to be most resonant with Socket Heads's lifestyle and character.

Then a relative who has recently taken caretakership of an extremely placid cat started changing its nickname from Kitty Kat to Hideous Kittyous - and that was too delicious a nickname not to inspire an image.

Would you believe Bishop Stumbers made a return appearance, pondering his New Year resolutions for 2020? He should have added in 'Keep Out Of Trouble' as well, not that he is likely to be able to keep that one.

In the first 10 days of January I will be seeking God about what He wants for me, and what He wants me to do in 2020. I would appreciate your prayers very much because at the moment I don't know where the way forward is, only the many dead ends where it isn't.