​Above is my most recent Bishop Stumbers cartoon, which I finished and posted yesterday (Feb 16).
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The idea for this picture began to come together in the previous fortnight over conversations about the new guidelines from the Vatican on how to distribute the ashes for Ash Wednesday during a pandemic (ie. sprinkling the ash on top of peoples' head rather than making a sign of the cross on peoples' foreheads) in a note published on January the 12th (link here).

Among the ideas discussed in those conversations was the fact that some of the more widely recycled memes about Ash Wednesday and the wide variety of cross placed upon the heads of Catholics would be no long applicable under the new guidelines, if anyone thought to think of it that way of course.
And so was born Stumbers' ponderance upon the collect of memes now made irrelevant, and somewhat historical, by the Vatican's new guidelines.

Hopefully next time I can get back to clearing the backlog of blog posts.
Until then, God Bless.

First off I must warn you that this is hardly going to be either a concise or chronologically correct catch-up of all my artwork from the end of October, 2020.

Well, with that brief explainer out of the way here is (below) the final painting from my #CATHOLinktober (2020).

"Title of the Blessed Virgin Mary" was the 31st and last prompt of the CATHOLinktober challenge. As it turned out I wasn't the only artist participating who chose to paint "Our Lady, Star of the Sea".
Before asking God's intercession and throwing a Miraculous Medal, I had no idea which Title of the Blessed Virgin to paint. As such was rather stressed out trying to figure out what the final picture was going to be, but God did proved us an answer.

​After I had finished CATHOLinktober, I was commissioned to do a painting of "Our Lady of Guadalupe" for the iWitness 2020 Conference,, in a style similar to what I done previously with "Our Lady, Star of the Sea".

"Our Lady of Guadalupe" is the patron for the iWitness Conference which happens starts on the Thursday before the Third Sunday of Advent, and finishes on that same sunday. I had attended previously attended the 2019 Conference, which had been my first iWitness. During the whole of 2020, the thought of meeting up with previous friends and known face at iWitness had been one of the few lights of hope during the year, and I along with everyone who went to iWitness, as well as the organising team were relieved when it was able to happen under NSW restrictions. Thank you God!

But before that, a bit of an update.

The 2021 Calendar was published in mid-December 2020, however it took a lot of work to get there. Quite a lot of the Inktober material was used, but there were something like an extra 10 images needed since the Inktober drawings were smaller, and it took two of them to fill a Calendar page.

Then in very late November and early December I began making some of those images into prayer cards with a holy image on the front and a prayer on the back.

When 2021 began there was a bit of brainstorming done about 'What's next?'.
Investigating the possibilities of selling printable downloads of prayer cards via Etsy seemed like a good idea. So after a few days' research and planning that's what happened.

CavanaghArt wasn't available, that's why it had to be called CavanaghArtByVincent instead:
www.etsy.com/au/shop/CavanaghArtByVincent

The starting point was a prayer card suitable for obtaining the indulgence during the Year of St Joseph (8 Dec 2020 - 8 Dec 2021) for praying for the unemployed.

And the next one, with a prayer to St Joseph similar to the Hail Mary, began a week later.

It started out with a lot of hope and expectation, yet it has still to make an impact.

What else is there under the 'What next?' options? I don't currently know.

However due to the increased censorship on social media, I will be from now on giving primacy to the blog, and there's a back-log, (or should that be a blog-log?), of material to work with.

I thought I told myself that I wasn't going to do Inktober this year. But then a Catholic theme list came up (#Catholinktober), and I caved in.

It is the reason why you haven't seen much artwork posted here.
There is plenty to share, it is just waiting for some free time to put it on this blog. Instagram, Twitter and Facebook have had daily postings during October.

So here is a brief selection from the last 30 days:  

The Chaste Heart of St Joseph inspires love and trust in everyone.

A version of the icon of the Mother of God of Tenderness.

New Testament Character: Ananias getting the message from God that he is to go and visit Saul, the persecutor of the Christians.

For the feast day of Our Lady of the Rosary, a decade of the rosary depicted with a big red rose for the Our Father, ten blue-white roses for the Hail Marys, and a triple golden ball for the Glory Be to honour the Most Holy Trinity. The hands are offering it as prayer, and the twelve stars are there to remind us of the crown of Mary, and her receiving the bouquet. 

Charity in action.

Only one more to go, and the theme for that one is a title of the Virgin Mary.

​Whatever passes for normal might return soon. :) 

The first assignment for my 3 month mentorship under Giuseppe Castellano was to research the illustrator Jean-Jacques Sempé.
He is still alive, and known for loose ink work, real life settings, minimal colour, recognizable but not perfect depictions of people (for example children have light bulb shaped heads and adults have big noses). Then I needed to reference his style in a mock up of a cover for the New Yorker magazine, including the interaction of two characters and a background.
​
This is one of my pages of practice sketches.

​The next thing was to research covers for the New Yorker magazine. Most of them contained scenes from New York life, or what would be recognized as New York life, or else they were political. At times the spine and mast-head were colours other than black.
 
So I researched New York, things like 20 things only New Yorkers would appreciate, or 10 jokes only New Yorkers will get. I needed to find either a humorous angle or something I am interested in. The stories of YouTube sensations Pizza Rat and Milkshake Squirrel were intriguing.
 
I put together some thumb nail sketches:

1. Pizza – Rat: Going to the Cinema with Dad.
2. Abbot and Costello on TV with child watching.
3. Father and child on a Ferris Wheel at an amusement park.
4. Child peering over subway platform to see train.
5. Child chasing after parent in front of giant destination board.

Of these thumb nails, Pizza – Rat won. This is a scan of the ink work, below.

​The next step was to get an idea of colour values digitally before putting any watercolour on.

​Then came watercolour. This is the raw image below:

​I then had to clean up the art work and remove/fix mistakes from inking, in Photoshop.
And then add the copied masthead from a previous New Yorker cover, via Google and Photoshop again.

This final art is shown at a smaller size than actual size. 
​It had been quite a while since I used non-digital media, I had forgotten how nerve wracking it is when there is no room for mistakes.

#IllusDept #mentorship #Sempé

At last the comic strip is finished, and I can share it with you.
​
But there is some other news I can share with you as well.
The first part you may have already noticed: this website has had a bit of an overdue face-lift. I hope you like the changes.
The second part is that I have begun a 3 month mentorship with Giuseppe Castellano from the Illustration Department. My first session was this week, and I have begun my homework in preparation for the next session. 

For the comic strip, I will give you each of the four parts separately,
​and then how it looks as a whole. 

Each of the parts took many days to complete.

But I am very happy with the completed outcome.

Much of what I have been working on during July hasn't been finished yet, so I have decided to share with you a bit of a ramble through my sketchbook instead.

The first one is a series of sketches of Bishop Stumbers from which I started building an animation. That animation is far from finished, but there is a draft version of it on Instagram (@cavanaghcreative). In it you see Bishop Stumbers walking along engaged in social media activities on his phone, until he walks into a wall, recovers, and continues tweeting etc. 

The second one is of a coffee addicted robot, or coffee-bot.

The last one is a new character in a classic heroic pose.

I've also been working on a 4 part comic strip, but it is only about 70% completed. Each part is 3 panels wide. I'm currently wrestling with how best to share it online because Weebly displays vertical and square images much better than horizontal images.

Since April 2020 the regular emailed newsletter has been in hiatus. For the last few years the list of whom we send it to hasn't been growing, in fact it has shrunk a little due to deaths here and there. Given that no one has been asking why it is missing, it seems to be the right decision to let it lie fallow for a while until there is a good reason to re-start it, eg some very positive news to share.

This last month has had a bit of experimentation in it. Using the Blender software I experimented with creating a 3D fishing boat image.

I got this far, and realised that I wasn't happy with the hull:

So I changed that, and a few other features: 

And then added rigging posts and colour. It still isn't completely finished.

Then I had a rest from 3D work, and went back to 2D and used computer software to produce this image of a fishing boat docked at the wharf at night.

And yes. Socket Head has been around too....

....but we don't know what he's up to yet... only that he is frustrated about something and on his way to try and fix it.

Bishop Stumbers has been lurking about on the sketch pad, and around cathedral crypts. We might see him next time. 

There is a chance that weekday routine will return on Monday, or soon after, depending on how soon new weekday Mass schedules are decided upon. Hopefully, when that happens, a measure of normality and especially creative normality will return.

​In the mean time, two of the Inktober Socket Head pictures got coloured:

Day 25, Tasty

Day 23, Ancient

​And a 'looking to the future' meme/comic

And some sketches that might be preparation for a 3D version of this red tugboat: 

And the front view

Here's to hoping that fruitful new beginnings are around the corner for all of us as this long pause begins to lift away.

You know how Kermit the Frog used to say, 'It's not easy being green.'
Well at the moment, it's not easy being creative either.
It has been neatly summed up by @evancabnet on Twitter thus:
"WRITERS. I have a secret to share with you. Every single day, I speak with a different playwright (or screenwriter, or novelist) who confesses they haven’t been able to concentrate and they aren’t getting anything done."
As at today it has had 31.7K likes and 4,9K Retweets since Apr 17.
Comments attached to that Tweet proved that artists, illustrators and graphic designers were all feeling it too.
Many of those comments put my own feelings in to words.

What I have been slowly working on is colouring some of the black & white images from Socket Head's Inktober 2019 adventures. 

​Overgrown Day 14

Treasures Day 21

Dark Day 26

Coat Day 27

Maybe, just maybe, if I get them all coloured I might make a small non-standard story book out of them. But there are 16 more to do......